Michaela Lozada

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創建 08-03-2021 (9 Minutes + Car Mirror)

August 3, 2021 by Michaela Lozada

Today was a little rough around the edges. I miss my city; I miss my people; I was angry. I am still angry. I did not plan this drawing, AT ALL. Joey and I were about nine minutes out from the apartment on a way back from a grocery store run – when I needed, needed, NEEDED, craved, indecently craved, was absolutely drowning with lungs filling up with the realization of how powerless I really am, was gasping to breathe – no, not to breathe – to MAKE –

So I had to. I HAD to. I HAD TO.

So here’s what I made.

(Script of final scene; actors are pulling up to the apartment:)

(Mickey: scribbling one last squiggly suggestion of a blouse – “Uhhhmmnnnehh…”)

(Mickey: squinting at drawing while turning drawing up towards Joey – “How does this look?”)

Joey: “That looks exactly like you.”

(Mickey: “Really?????????”)

Joey: “Yeah, that’s probably the best likeness I’ve seen of you, in a sketchbook…”

Joey: thinks a bit, as all actors shift stage to inside the apartment –

Joey: “Yeah, no, really, no one who knows you would dare mistake – oh wait, I’m getting a call -“

Filed Under: Sketchbook

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Artist Statement

My art has always acted as a microphone for my thoughts and observations; through it, I make my voice heard. Through wide-ranging media, such as charcoal portraiture, 2-D and 3-D animation, and oil painting, I create statements on equally widespread themes, from the nobilities of simple living to issues of global concern.

Whenever possible, I use my computer science background to integrate elements of programming and the digital world into my art, making for a very unique portfolio!

Media

I choose media carefully to best complement this process. Charcoals and graphite are used to capture the most fleeting subject material, using quick, sparing strokes to reflect bodies in motion and draw out the evanescence of the image as a whole. For the opposite effect, I often elect to use paints (usually oils) to create a work with multiple depths. Glazes layered carefully on thicker mixes of paint are used to capture the nuances of the personalities I choose to convey. I always try to adapt my knowledge of computer science to my art, mixing traditional art with digital and combining seemingly opposing media.

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